Perrie Edwards channels her inner Cher in the promo for 'Tears'. The solo holiday aesthetic of 'Forget About Us' is replaced with a nineteen-seventies-plus vibe, as director Quentin Jones crams as many sequins and flares in as possible. At the centre of it all is Edwards, who savours every costume change and every lie-down on the roof of a Cadillac.

The car is parked on a street that might as well be an 'i-SPY the Seventies' book (just so you know, DAVID's favourite was 'i-SPY on a Train Journey). It's a lot to take in, but Jones, production designer Elena Isolini, and costumier Ellie Walker have made Edwards's retro dream come true. No tears shed in that regard.

Product Category: Promos

Territory: UK

by Andrew MacGregor

Perrie Edwards channels her inner Cher in the promo for 'Tears'. The solo holiday aesthetic of 'Forget About Us' is replaced with a nineteen-seventies-plus vibe, as director Quentin Jones crams as many sequins and flares in as possible. At the centre of it all is Edwards, who savours every costume change and every lie-down on the roof of a Cadillac.

The car is parked on a street that might as well be an 'i-SPY the Seventies' book (just so you know, DAVID's favourite was 'i-SPY on a Train Journey). It's a lot to take in, but Jones, production designer Elena Isolini, and costumier Ellie Walker have made Edwards's retro dream come true. No tears shed in that regard.

Product Category: Promos

Territory: UK