Regrets, I've had a few.

The young man in this Danish Cancer Society commercial sure knows how to make an entrance. He does so multiple times in Tore Frandsen's film, but soon wishes he didn't. The first time he walks through the door, he looks content with one beer—the smile disappears from his face when his exact double enters with even more bevvy.

This happens again and again, much to the protagonist’s horror. If one doppelganger behaves like a complete jackass, the next one says "Hold my beer" and raises the bar. Or do they lower the bar? Whatever the case may be, his breakdown is a tour de force aided by a lead performance that is fluid in more ways than one.

A loose sequel to 2023's 'FOMO Forever', this instalment is more interested in 'the fear' or hangxiety—the more young people hold back, the less likely they are to become regret incarnate.

Product Category: Charities

Territory: Denmark

Regrets, I've had a few.

by Andrew MacGregor

The young man in this Danish Cancer Society commercial sure knows how to make an entrance. He does so multiple times in Tore Frandsen's film, but soon wishes he didn't. The first time he walks through the door, he looks content with one beer—the smile disappears from his face when his exact double enters with even more bevvy.

This happens again and again, much to the protagonist’s horror. If one doppelganger behaves like a complete jackass, the next one says "Hold my beer" and raises the bar. Or do they lower the bar? Whatever the case may be, his breakdown is a tour de force aided by a lead performance that is fluid in more ways than one.

A loose sequel to 2023's 'FOMO Forever', this instalment is more interested in 'the fear' or hangxiety—the more young people hold back, the less likely they are to become regret incarnate.

Product Category: Charities

Territory: Denmark