Click here to sign in/register.
 Curated content, not vanity publishing.
Advert








Jason Stone
Barclaycard

"Grace Jones"

6 November 2021

60s


The Grace of God

Many, many years ago when DAVID was living in the Antipodes, he had a humorous piece published in The Age – Australia's equivalent of The Guardian. It was a pleasing moment, not least because the column was formatted in a fashion which gave great prominence to his name. It represented a significant breakthrough. But there was a very odd dimension to this triumph... the weary sub-editor tasked with pulling the piece into shape clearly had their eyes only on the word count. How else can you explain their decision to retain an orphaned punchline, and a callback to something which had been removed?

This episode in the young life as a jobbing writer sprang to mind when watching this 60" version of an ad we have already featured as a 30". The shortened version doesn't work (other than as an aide memoir to this longer version, and it's foolish to assume that the audience will have seen the 60" before they come across it).

In this situation, there are two options: either the 30" version must be able to stand on its own two feet, or it must never be seen at all.

While DAVID doesn't always feel the longest version is the best version... in this case it palpably is. On this broader canvas, Grace Jones becomes a huge asset and the whole raison d'être for persuading her to participate comes to life.

It's understandable that people who devote so much of themselves to endless, soul-destroying meetings about every tiny detail of a commercial have a tendency to forget that – at best – the target audience is only half-paying attention when they watch the finished work, but that's the truth… and it's both naïve and arrogant to expect the general public to decode a piece of work which has been rendered cryptic by a clumsy abbreviation.

So, if a shortened version sits uneasily alongside the commercial from which it has been culled, we urge brands to show the film they paid for.

UK

Credit Cards


CREDITS
Production Co: -1 Biscuit Filmworks
Director: -1 Andreas Nilsson
Edit House: -1 The Quarry
Editor: -1 Ben Campbell
Assistant Editor: 0 Ben Cowan
Producer: 0 Tor Adams
Sound House: -1 750MPH
Sound Design: -1 Sam Ashwell
-1 Mike Bovill
Producer: 0 Olivia Ray
Music Production: -1 Studio Salamanca
Talent Co: -1 Talent Republic
Talent Broker: -1 Anne Batz
-1 Charlie Powell
Biscuit Filmworks
The Quarry
750MPH
Studio Salamanca
Talent Republic
Review posted: 7 November 2021 - 12:36
A few more from:
Sam Ashwell

Netflix
"Tarot Cards"


Netflix
"Your Future's On Its Way"


Xbox
"The Caretaker"


Center Parcs
"Bubbles"


World of Tanks
"The Therapist"


PlayStation
"Unexpected Catch"