Maria Anna Mozart is not as well known as her younger brother Wolfgang and - according to this film promoting a new resource from the people behind 'Free the Bid' - she might have eclipsed his output if she'd been given the same exposure and opportunities.

Ms Mozart is representative of all the women whose ambitions have been thwarted over hundreds of years of patriarchy, and whose artistic potential has been lost to the world. This is not just a tragedy for the women whose lives could have been fulfilled by the freedom to express themselves, but to a wider world robbed of the chance to hear what they have to say.

When director Alma Har'el discovered the extent of the bias against female filmmakers in the advertising realm, she founded 'Free the Bid' - a movement designed to promote positive change. Two-and-a-half years on, she's launching a new online resource which aims to broaden the scope of her movement into the domains of TV and film. It's called 'Free the Work' and its website - which replaces Free the Bid's - was unleashed on the first day of the 2019 Cannes Festival of Creativity.

This celebratory outing from Channel 4 draws attention to their upcoming makeover show, Drag SOS. The programme - launched bang on time for Pride season - sees Manchester drag collective The Family Gorgeous help the British public add some extra sparkle to their lives via self-esteem-boosting transformation.

As one can probably imagine, the series ditches traditional diet and fashion tips in favour of some more, well, fabulous - as evidenced by the national anthem remix which accompanies director Barry Dyer's colourful trail. The promo brims with glitter and glamour, in addition to a provocative kick which emphasises the channel's rebellious streak.

adam&eveDDB's first piece of work for Virgin Media is a blackly humorous twist on the brand's familiar bombast. Stirred by talk of an 'ultimate oomph bundle', a staid bloke called Steve loses himself in a data-driven reverie... only for reality to bite big time.

His fate is preceded by a rollicking sequence shot by Ian Pons Jewell, which shows the ways Steve thinks he can use fibre broadband and copious amounts of television/mobile data to his advantage. Alas, his imagination exceeds what any provider can hope to offer.

This could be read as a play on the sector's rocky relationship with the Advertising Standards Authority - only now it's the protagonist who makes outlandish claims, not the brand. Taken at face value, however, this is a bold and amusing flight of fancy.

This perception-bending outing for Deloitte accountancy services does a classy job of tricking the eye. Running with the company's claim to see things differently, directors Bob Partington and Mathery turn things topsy-turvy via a fresh take on the Penrose stairs or 'impossible stairway' design.

This stylish array of visual tricks are accompanied by a matter of fact voiceover and a muted, pastel colour scheme - both of which give the film a modern, professional feel. Cleanly shot and constantly in flux, this is a dynamic vision of a company which gets the job done.